Fantastic Life
Vol 2, # 1 of 3
Fantastic Life Vol 2, # 1 of 3: © Steve Marchant
| Fantastic Life Vol 2, # 1 of 3 Steve Marchant |
It's not just the material, Marchant has a similar feel to Dorkin (although maybe that's the 80's strategically shaved big hair and big noses distracting me). But standing on it's own merits, Fantastic Life is very good. Marchant is an able storyteller, using reflections, dual narratives and spoof to relate his urban angst tales, and the accompanying art work is distinct and of a high standard overall. In particular the Beggars Can't be Choosers short is very pleasingly rendered and Marchant captures the sticky and mildewy ambience of his local indie club perfectly.
In his bio, Marchant explains his reasons for 'remastering' this old material and herein I think lies the main flaw in Fantastic Life. After a particularly strong start, the art work declines in quality around the middle. It does pick up again but the sense remains with the reader that maybe Marchant hasn't enjoyed producing this comic as much as he might; it's as if the artwork picks up the fatigue of the material. And as much as I hate saying this (but I quote): "it's not a good way to be for a man pushing 40".
The temptation to redraw every embarrassing panel from the past is tempting, I do understand that. And as most small press cartoonists I know have to work for a living, time to draw is premium. And that being the case I think (unless the material is exceptional) that it's best to consign the past to well who knows where, but Adrien Tomine's 32 Stories springs to mind.
Marchant is an obviously talented one man show and as much I did enjoy this issue, I'd prefer to read the more deserving material that he's no doubt capable of.
Mardou
| Fantastic Life Vol 2, # 1 of 3: ??? A5 pages, colour stock | Received at ZUM! HQ: reviewer's own copy |
£1:95 plus 60p P+P | Steve Marchant, 6a Station Rise, Tulse Hill, London SE27 9BW |